James Andrew at the MET
Summer nights in town are the perfect time to explore museums and catch up on exhibitions — and happily many museums here have evening hours on Fridays, making them the most perfectly pleasant escape from the heat of the day. My beloved artist, Scott McBee, and I recently decided to go to the exceptional John Singer Sargent exhibit at the MET, Portraits of Artists and Friends.
John Singer Sargent at the MET
John Singer Sargent at the MET
Sargent certainly does enthrall with his wildly confident stroke, his relaxed compositions, and all of those delicious details rendered in glorious, velvety globs of paint. As the title of the show suggests, we’re given a pretty comprehensive glimpse of his personal stuff, which, away from the pressures of his commissioned work — “no more mugs” he once said of his hired portrait work — shows us a series of sumptuously energetic and honest pieces. The collection, in a way, is the true Sargent — an artist who continually experimented while celebrating the visual world and the creative bunch that he called friends. Among the many really beautiful works I hadn’t had the opportunity to see in person until now, I was particularly thrilled to see Sargent’s portrait of his lifelong friend (and notable aesthete), Dr, Pozzi — definitely my favorite of all of Sargent’s works. McBee and I hit Mr. Chow for a bite afterwards, which was a fine choice — an elegant place amongst the glitterati to savor our thoroughly satisfying evening of fine art.
Dr. Pozzi — John Singer Sargent at the MET
Dressed for a night at the MET, I’m sporting a Tom Ford red cotton jacket and white cotton shirt with French cuffs, Seaman Schepps pearl and pale blue sapphire cuff links, Cassette citron yellow jeans, Ralph Lauren red crocodile belt with sterling buckle and needlepoint slippers, Charvet yellow and white retro print silk pocket square, Creed Pure White Cologne and a bit of Tom Ford Bronzing Gel to add that sun-kissed glow.
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James Andrew at home with Quadrille’s China Seas fabric.
I’m wild about the idea of summer slipcovers — changing one’s furniture covering (or simply adding a new table cloth), in a well-chosen fabric is always a quick and immediately gratifying way to freshen up any room. My little dining room/library here in town is pretty moody with its lacquered aubergine walls and silver holographic ceiling. As the temperatures have been rising, I wanted a room that felt brighter, lighter, crisper, and cooler. A bit of the exotic always helps as well. So I turned to my friends at Quadrille who are certainly at the top of my list of go-to resources for ultra chic fabrics and wall coverings. Quadrille’s China Seas collection provided the most perfect selection of fabrics to choose from, and Island Ikat in pale aqua on white did the trick — the pale aqua is a spot-on match to my living room wall color and ties the whole flat together quite nicely — with an overall effect that provides a dash of Lyford Cay-esque tropical splendor.
James Andrew, Quadrille transformation.
There is a softness and luxury that fabrics can bring to a room, and my new table cloth is already providing a splendid backdrop for my summer repasts. I switched out my Dodie Thayer tureen with a vintage Este white melon tureen to lighten the look even further. This aqua and white cloth will look super chic with plates in turquoise, coral, blues and malachite — stay tuned for photos!
I’m dressed in a Tom Ford ivory linen sateen suit, dusty rose cotton mini plaid shirt, pink silk knit tie and ivory suede and leather cap toe shoes, Charvet pink silk pocket square, vintage Rolex, Seaman Schepps cuff links in coral and shell,vintage Gucci python belt with silver buckle, Creed Royal Mayfair fragrance and a bit of Tom Ford Bronzing Gel for a sun kissed glow.* * *
James at Roark Modern – Photo: Boris Glamocanin
With the look and feel of a glamorous uber chic Tribeca loft, Roark Modern is certainly one of my favorite destinations for antique furniture. This indispensable resource is the brainchild of Lisa Bowles who began her career as an interior designer. She’s always sought out-of-the-way places — the back streets of Paris, remote villages in Southern France, Spain, Italy, etc. — to bring her clients the most unusual and rarely seen furniture and objects. Fortunately for all of us, Bowles brings this same approach to her ravishing showroom, sharing a masterful mix of styles and periods selected with natural flair and a deep knowledge of all things antique.
Here the super stylish Bowles is constantly arranging and re-arranging, creating what she likes to call moments — vignettes and interesting juxtapositions of periods and styles inviting one to look at things with fresh eyes. Of course these ravishing vignettes never last very long because the pieces are always quickly snapped up by some of the most influential designers and taste makers around! That being said, do make a point to visit Roark Modern often – there will always be something new to delight and inspire!
Photographed at Roark Modern (top) by photographer Boris Glamocanin, I’m sporting a Tom Ford “Wetherby” suit in ocean blue wool silk linen melange, royal and white cotton silk polka dot print french cuff shirt, Seaman Schepps pearl and pale blue sapphire cuff links, Charvet navy and royal retro print silk pocket square, vintage Rolex, Pierre Hardy cobalt suede demi boots, my fragrance is Tom Ford Madorino Di Amalfi and Tom Ford Bronzing Gel for a bit of a sun kissed glow.