James Andrew (and Emma) at Wynkoop
After our fabulous visit to DIA:Beacon we were off to Wynkoop House – I’ve been eagerly anticipating seeing my friends’ house for some years, and boy was it worth the wait. Wynkoop is a stately 18th century stone manor house filled with period treasures and is incredibly well preserved, with practically all of the original paint intact. Apparently the last owner was born there and lived in the house until she died – she was sadly lacking in resources, but as it turned out, her somewhat limited state of affairs kept the place virtually unchanged for nearly 90 years.
My friends are incredibly stylish and they just get everything right. The property is perfection, from the incredible interiors to the glorious gardens (where we had the most elegant garden tea, made all the more so by the very elegant greyhound, Emma). Wynkoop is a glimpse into the 18th century without sacrificing any of the modern conveniences one could possibly want. There are also some good dining out options nearby, and I was treated to a rather delicious dinner at Cucina Restaurant in Woodstock. They serve innovative Italian cuisine in a really stunning setting, including a porch for al fresco dining. Nothing could be better than to enjoy a few lush and languid days surrounded by friends, nature, and beauty – all this being said, it won’t surprise you when I say that I’m already planning a return to Wynkoop in the autumn!
Incidentally, Wynkoop House is available for photo shoots, weddings, parties, or simply as a private escape destination.
Photographed in one of the Wynkoop gardens with Emma (top), I’m sporting a Tom Ford era Gucci chartreuse suede safari jacket, Gucci retro floral print cotton voile shirt, silk and hemp shorts by Our Legacy, Adriano Meneghetti “Military” belt in olive braided waxed cotton and leather with silver buckle, Tom Ford brown leather sandals, vintage Rolex watch and my fragrance is Tom Ford Neroli Portofino.
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James Andrew at DIA:Beacon
James Andrew at DIA:Beacon (detail)
Summer always finds me anxious to get out of town for a bit of rejuvinative green and nature. Thankfully I’ve been blessed with quite a few weekend invites to some of the most lovely places this summer. This weekend was no exeption as it brought a gorgeous getaway invitation to my super chic friend’s Hudson Valley country home, Wynkoop (more about this in our next post).
En route to Wynkoop House we decided to rendezvous at the Carl Andre Exhibition at DIA:Beacon —- it’s just a quick scenic train ride from the city that affords some glorious views of the Hudson River along the way. If you don’t know, DIA:Beacon is housed in a former Nabisco box printing factory with 300,000 square feet of the most perfect exhibition space illuminated by a spectacular 34,000 square feet of skylight—a perfect space to enjoy the equally spectacular installation of grand scale Serra sculptures there.
Serra at DIA:Beacon
The beauty of the place extends beyond the confines of the building into Robert Irwin’s gardens, where I stopped for a photo amidst ravishing rows of hornbeam hedge. For our art expedition, I’m sporting a Tom Ford era Gucci white linen jacket, Michael Bastian for Gant chartreuse cotton safari shirt, chartreuse silk pocket square from Charvet Paris, Tom Ford era Gucci olive python belt with silver double horse head buckle, white cotton shorts by Mario Matteo,Tom Ford woven olive suede espadrilles, a vintage Rolex and my fragrance is Creed Bois de Cedrat.
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James Andrew – Katherine Hepburn Garden
I totally have a thing for treillage – I just cannot get enough of it! Emerging in the 12th century as a mostly utilitarian latticework for gardners to support climbing vines, it wasn’t until the 17th century when Louis XIV hired Le Notre to design the gardens at Versailles that the art of treillage really reached outrageous heights. For a good read on the subject see here.
Katherine Hepburn Garden
Whether I’m designing an interior treillage (in the round or as a classic print) to give the feeling of a garden pavilion, or I’m in the garden creating fantasies and follies, I am of course beyond elated whenever I can employ treillage. In fact, I currently have clients with a fabulous outdoor space that has sadly been a bit neglected, and I’ve been looking to design an element for them that can be enjoyed from both interior and exterior perspectives. The environment is a bit modern, so the design has to be somewhat minimal – a transitional work that can bridge both classic and modern aesthetics. While pondering this, a serendipitous walk home through the Katherine Hepburn Garden (located in Dag Hammarskjöld Plaza) has provided me with just the inspiration I need. It’s a marvelous stretch that pays homage to Hepburn for her work with the Turtle Bay Association (which she had been active in since 50s), and it is replete with a fabulous series of follies and a splendid demilune colonnade. I think it has just the right balance of old and new for my client’s aesthetic!
Taking time to study this tremendous use of treillage, I’m sporting a Tom Ford era Gucci black linen denim jacket, Michael Kors off white cotton knit top with crocheted placket, Ralph Lauren Denim & Supply black paisley print linen canvas shorts, KJP woven white cotton belt, Tom Ford black and white silk pocket square and “Marco” sunglasses, vintage Rolex, Louboutin black leather sandal espadrilles, Tom Ford Bronzing Gel for a bit of a sun kissed glow, and my fragrance is a mix of Tom Ford Wood Oud and Oud Fleur.
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