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LIZ MARKUS – TOWN AND COUNTRY

James Andrew in Liz Markus' Studio

James Andrew in Liz Markus’ Studio

Artist Liz Markus happened upon WIJW while searching for Billy Baldwin interiors online — as you know, we do love Baldwin, and have featured him on WIJW quite a lot over the years. In any case, we were sadly unable to see Markus’ recent show, “Town and Country” at the Nathalie Karg Gallery – it was featured on Vogue.com as one of the top four exhibitions to see (that were NOT Jeff Koons). Thankfully though, Markus graciously allowed us a lovely studio visit.

Lee Radziwill in Nina Ricci 2014 acrylic and pencil on unprimed canvas 72 x 54 inches

Lee Radziwill in Nina Ricci
2014
acrylic and pencil on unprimed canvas
72 x 54 inches

Markus’ portraits have a certain fresh, elegant chic, in synergy with the iconic women they capture. There’s a gratifying reciprocity between technique and subject matter in her works – a meeting of art and icon that, to me, elicits the mood of some of the classic Slim Aaron photographs I love so much. A ravishing bouquet of thinned and often bleeding colors applied with a quick, assured, and lively stroke, makes these works by Markus perfect for the interiors I’m creating for my clients.

Aerin Lauder 2014 acrylic and pencil on unprimed canvas 60 x 48 inches

Aerin Lauder
2014
acrylic and pencil on unprimed canvas
60 x 48 inches

As always I love to get artists’ take on their work and journey. Markus shares:

My bodies of work reflect different periods of my life. A series of psychedelic hippie paintings reflects the impressions I had of life as a child in the 1970’s. Attending prep school I became enamored of WASP culture. Compared to my sometimes difficult home life, suppressing all emotion while stressing proper etiquette sounded safe and appealing. My paintings began to reflect that culture, most prominently in my series of Nancy Reagan portraits, where the bleeding paint distorts the “perfect” façade she projects to the world allowing for a more psychological read of her. After exploring 1980’s punk and new wave culture, as well as love and landscapes, I turned my eye back to WASP culture, specifically the homes they lived in.

A chance purchase of a Sister Parish biography while in London began a continuing obsession with the great American interior designers of the 20th century. After Sister, I read everything I could find on Billy Baldwin, Albert Hadley, and others. In 2013 I began to paint images of their rooms. Unable to find an image of Hadley’s famous red hallway without him in it, I included his figure in the painting. Having a human presence in the work made it more compelling, it seemed to offer the viewer a way into the painting. I began to look for images of the people who naturally populate the rooms I love. I found a great image of Lee Radziwill, dressed in Lanvin and standing in a red room. Gradually the rooms became less important as the paintings turned into portraits of the great socialites from the 1930’s to the 1960’s. These very glamorous and powerful women often had great tragedy in their lives. With my technique of using paint to stain unprimed canvas the images become distorted and it appears that the inner lives of the women are revealed.

Marella Agnelli 2014 acrylic and pencil on unprimed canvas 60 x 48 inches

Marella Agnelli
2014
acrylic and pencil on unprimed canvas
60 x 48 inches

 Babe Paley 1 2014 acrylic and pencil on unprimed canvas 60 x 48 inches SOLD


Babe Paley 1
2014
acrylic and pencil on unprimed canvas
60 x 48 inches
SOLD

Markus is an artist after my own heart – all of the incredible connections we share and admire have made me an instant fan. I am so looking forward to following Markus and her rise to stardom. Do make a point to peruse her website and procure one of her amazing works!

Dressed for a studio visit with Markus, I’m sporting a Tom Ford “Spencer” jacket in ink and ivory silk glen plaid and pale blue mini herringbone cotton shirt, Cassette citron yellow jeans, Gucci navy suede loafers, a fabulous blue woven leather belt by Adriano Meneghetti (more on this in an upcoming post) pearl and pale blue sapphire cuff links, Rolex, yellow silk retro print pocket square by Charvet and my fragrance is Tom Ford Neroli Portofino.

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FAREWELL CHARMING CAPE

James Andrew - Cape Cod

James Andrew – Cape Cod


Sadly, our Cape holiday’s end seemed to come all too quickly, but spending five delightful days with fabulous friends, sunshine, and incredible food, was just what was needed before heading back to mid-summer in the city.

For the most part, we had delicious home-cooked dinners with copious amounts of sensational summer sea food, all grilled to perfection, and paired with well-selected wines. However as you may know, I do love to sample local restaurants to get a full picture of a place, so eating out was part of our holiday agenda as well.

Our super chic friends suggested the most perfect place for our farewell dinner, the Rye Tavern (originally named the Wright Tavern). A “slice of Colonial America,” Chef Andrew Swain’s menu is a terrific take on “farm to table” cuisine, with only the freshest ingredients and some truly unique combinations of flavors. Totally sensational. We enjoyed pre-dinner martinis in the garden while waiting to dine al fresco on the tavern’s patio — all the more to enjoy every last bit of our vacation outside in such lovely surrounds.

Dressed for dinner, I’m sporting a Tom Ford red cotton jacket, pink and white glen plaid cotton shirt with French cuffs, vintage moon stone cuff links, Charvet pink and white retro print silk pocket square, Uniqlo white jeans, KJP Briggs Capeside Docks woven white cotton belt, white woven leather flip flops from Schettino de Capri, vintage Rolex and my fragrance is Lorenzo Villoressi, Iporbarea.

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BRINGING IT TO THE CAPE

James Andrew, Cape Cod

James Andrew, Cape Cod

If you’ve been following us here on WIJW, you’ll know that I generally don’t buy into set ideas of dress code for a particular environment — instead I prefer to thoroughly indulge my own fantasies.

The Cape can have a super casual vibe, with shorts, t-shirts, and flip flops, however I think this is a rather unimaginative option—not particularly “sartorially” striking to say the least—I of course tend to put a little more thought and effort into things. After a glorious day of lounging beach side, I’m pictured here with a look that I think is both chic and yet casually at ease. I’m wearing a pink silk Tom Ford “Spencer” jacket, custom pale blue cotton linen shirt with contrast white collar and cuffs, pearl and pale blue sapphire cuff links, vintage Rolex, JKP woven white cotton belt, Ralph Lauren pink and blue paisley cotton voile pocket square, Our Legacy hemp and silk shorts, madras plaid espadrilles, and my fragrance is Tom Ford Neroli Portofino

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