I totally have a thing for treillage – I just cannot get enough of it! Emerging in the 12th century as a mostly utilitarian latticework for gardners to support climbing vines, it wasn’t until the 17th century when Louis XIV hired Le Notre to design the gardens at Versailles that the art of treillage really reached outrageous heights. For a good read on the subject see here.
Whether I’m designing an interior treillage (in the round or as a classic print) to give the feeling of a garden pavilion, or I’m in the garden creating fantasies and follies, I am of course beyond elated whenever I can employ treillage. In fact, I currently have clients with a fabulous outdoor space that has sadly been a bit neglected, and I’ve been looking to design an element for them that can be enjoyed from both interior and exterior perspectives. The environment is a bit modern, so the design has to be somewhat minimal – a transitional work that can bridge both classic and modern aesthetics. While pondering this, a serendipitous walk home through the Katherine Hepburn Garden (located in Dag Hammarskjöld Plaza) has provided me with just the inspiration I need. It’s a marvelous stretch that pays homage to Hepburn for her work with the Turtle Bay Association (which she had been active in since 50s), and it is replete with a fabulous series of follies and a splendid demilune colonnade. I think it has just the right balance of old and new for my client’s aesthetic!
Taking time to study this tremendous use of treillage, I’m sporting a Tom Ford era Gucci black linen denim jacket, Michael Kors off white cotton knit top with crocheted placket, Ralph Lauren Denim & Supply black paisley print linen canvas shorts, KJP woven white cotton belt, Tom Ford black and white silk pocket square and “Marco” sunglasses, vintage Rolex, Louboutin black leather sandal espadrilles, Tom Ford Bronzing Gel for a bit of a sun kissed glow, and my fragrance is a mix of Tom Ford Wood Oud and Oud Fleur.