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Posts under ‘Tom Ford’

IN BUSHWICK WITH BORIS GLAMOCANIN

James Andrew - photo by Boris Glamocanin

James Andrew – photo by Boris Glamocanin – click to enlarge

We love to take time to celebrate the artists who help us create the epic images we share with you here on WIJW.

Today we’re celebrating the genius of Boris Glamocanin – he never fails to bring an elegant edge and singular sensuality to what he does, leaving us in eager anticipation of the next time we’ll have the opportunity to work with him!

photo by Boris Glamocanin for WIJW

photo by Boris Glamocanin for WIJW

photo by Boris Glamocanin for WIJW

photo by Boris Glamocanin for WIJW

Needless to say, if you yourself were searching for a top notch photographer and all around creative, we wholeheartedly recommend him.

Boris Glamocanin self portrait

Boris Glamocanin self portrait

I recently spent an afternoon with Glamocanin in his stomping ground, Bushwick, where he captured me in the rich, cinematic image above (top). We are quite pleased with it!

For my Bushwick adventure, I’m sporting a Tom Ford era Gucci olive box quilted hunting jacket, Mackintosh brown corduroy down vest, Paul Stuart checked cotton shirt, Ralph Lauren pale olive window pane plaid wool tie, olive mini herringbone wool flannel pants, Tom Ford era Gucci python belt with silver double horse head buckle, Tom Ford era Gucci brown leather Chelsea boots, Tom Ford Dimitry sunglasses, Tom Ford Oud, and a bit of Tom Ford Bronzing Gel for a sun kissed glow.

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IT’S ALL ABOUT THE MIX

James Andrew – photo by  Boris Glamocanin

James Andrew – photo by Boris Glamocanin


Whether I’m creating rooms for a client or working on my own sartorial splendor, it’s all in the mix!

For me, a traditional interior really comes alive with the addition of modern art and photography. This marvelous juxtaposition of classic and contemporary is so impossibly fresh and chic. Conversely, an architecturally modern apartment can really make an exceptional antique piece sing – highlighting and enhancing the effect of its sculptural qualities, and giving an otherwise chilly interior a bit of warmth and soul.

When putting together a clothing ensemble, I love combining sportier elements with tailored pieces – this is something very American I think, and adds a touch of edgy chic to things. The ensemble featured today is a perfect example of that idea – mixing a down vest with tweeds and corduroy (and in this particular case, it provides a much needed layer of practical warmth as well)!

I have a rather extensive collection of formal dinner jackets which I sadly do not wear enough. But occasionally I wear one of these jackets with a white shirt, white pants, scarf, and white loafers — creating a less formal ensemble for a dinner or cocktail party. In fact I’ve put together just this outfit for an upcoming Palm Beach trip so stay tuned! A variation might be a dinner jacket with a black turtleneck, black pants, leopard slippers, and voila, a super chic. fun, semi formal look!

My point is, don’t be afraid to mix things up and have fun. Be inspired by style icons who were brave enough to experiment without needing approval!

I was thrilled to work again with my endlessly talented friend, Boris Glamocanin – his images add a seductive edginess which we adore! I’m sporting a Tom Ford charcoal wool tweed jacket with brown suede elbow patches, teal cotton corduroy pants, black and white window windowpane plaid shirt with French cuffs, teal and charcoal check cashmere wool tie, teal silk pocket square, brown leather tasseled loafers, Hawke & Co charcoal down vest, Seaman Schepps grey pearl cuff links, vintage Rolex watch, Tom Ford London fragrance, and a bit of my trusty Tom Ford Bronzing Gel for a sun kissed glow.

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BRING BACK THE DRESS CODE

James Andrew at the Met

James Andrew at the Met

When Scott McBee and I returned from Portugal the New York Season was already in full swing, so we wasted no time securing our tickets to Puccini’s Chinoiserie confection, Turandot. It’s one of the remaining productions designed by Franco Zeffirelli, and as expected it was an absolute dream!

Going to the opera is a special thing; musicians, and all the staff at the MET are dressed in formal attire. Which begs the question: why should’t all the patrons and attendees be dressed in anything less? Mcbee and I dressed in black tie of course, but we were appalled to see that less than 10% of the men atteneding wore black tie (women on the whole, were dressed quite nicely – thank you ladies). We’ve ranted about this in the past (see: Dress Code Please) It was all jeans, shorts etc., that time — as if folks were going to the local cineplex. We just can’t say it enough — this is simply unacceptable — the Met should have higher standards, and this should apply to all of the performing arts venues, as well as fine restaurants!

(detail) James Andrew at the Met

(detail) James Andrew at the Met

I’ve been accused of being an elitist, but we’re not talking about some sort of slavish adherence to traditions of the past. Our point is more about dressing appropriately to celebrate an elevated event, and having enough respect for ourselves and others to make some modicum of effort! Furthermore. as you know, we here at WIJW are even open to interesting variations on the theme. At the opening gala for example, we were rather taken by Miguel Angel Guzman and his ravishing ensemble: an elegant interpretation of the Kimono – it was perfectly appropriate AND alternative. Bravo!

Miguel Angel Guzman - Photo by Rose Callahan for lastnightatthemet.com

Miguel Angel Guzman – Photo by Rose Callahan for lastnightatthemet.com

There was a lovely young lady dressed in a vintage 1950’s ensemble — also quite stunning. It doesn’t have to be Tom Ford to be fabulous. In any case, I really do wish the Met would get on board with this, and start to require guests to dress appropriately.

To celebrate this amazing evening, (top) I’m sporting a Tom Ford chartreuse silk velvet dinner jacket, tuxedo pants, black silk faille bow tie, black and ivory silk pocket square and Tom Ford era Gucci white cotton voile ruffle and lace trimmed tuxedo shirt, a diamond evening set by M. de Phocas, Paul Stuart black silk evening hose, Creed Imperial Millesime fragrance, and a bit of Tom Ford Bronzing Gel to add a sun-kissed glow.

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